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FAVOURITES ATTRACTIONS

 

ARTS, Culture & Lifestyle / Majestic Cultural Heritage

 

     Thailand's rich cultural heritage, its wealth of arts and crafts, and the unique ways of life have and still attracted visitors from all over the world.
                                                   
      Thailand's cultural heritage was influenced by ancient India when the Indian  merchants and scholars set foot and gradually settled in Southeast Asia some  2,300 years ago. It continued for several centuries. Buddhist religion and popular  myth are the most obvious examples.Much of Thailand's royal tradition is also
  rooted  in Indian culture.


     Buddhism is thought to have first come to Thailand at Nakhon Pathom, while  Indian concepts of divine kingship first took root in the Khmer empire. By the 6th  century AD, many independent states were flourishing in the region we now know as  Thailand. One of these was the Mon's Dvaravati kingdom. Mon dominance over  central Thailand has been diminished by the power of an expanding Khmer empire.  Eventually, the Khmer became so powerful that they ruled the entire area. Only the  southern isthmus where the Srivijaya civilisation had taken root was unaffected.

   
   Towards the end of the 13th century, Khmer power in this area waned and new  kingdoms dominated by the Thai race developed, including the northern Lanna  kingdom. Beginning by nibbling away at the perimeter of the Khmer empire at  Sukhothai and in Lanna some 700 years ago, the Thai race later established the  glorious court at Ayutthaya, and eventually Bangkok. Over the past centuries, many  peoples, among them the Chinese, Arabs, Malays and Westerners, have
  contributed to Thailand's cultural heritage.

      Thailand's majestic cultural heritage inherited over the past centuries was  dominated or influenced by many kingdoms emcompassing the area including the  powerful Khmer. The remain of their cultural heritage can still be seen in many  places throughout the kingdom.

   Khmer kingdom
The best example of Khmer culture is at Phimai, some 60 kilometres
northeast of Nakhon Ratchasima. The old temple stands in the middle
of the modern town. The outlines of the old fortified town can still be traced.
It was strictly rectangular in plan, as were all Khmer settlements, and it was made
doubtly secure by placing
it on an artificial island. The nearby Phanom Rung and Muang Tham sanctuaries are  also two good examples. Other outstanding Khmer treasures in Thailand include the  powerfully evocative sanctuary at Muang Singh in Kanchanaburi, and the imposing  triple-spired shrines at Lop Buri. 
   Davaravati kingdom
Dvaravati culture was centred on the area between Nakhon Pathom, a little-fortified town some 50 kilometres west of Bangkok, and U Thong to the north. Its enduring emblem is Phra Pathom Chedi, the massive bell-shaped Buddhist shrine with its golden spire at Nakhon Pathom. This is where Buddhism is believed first to have been
taught in Thailand. The chedi, at 120.45 metres, is the tallest Buddhist structure in the world.
   Lanna kingdom
Founded by King Mengrai, the northern Lanna kingdom had an exciting mixture of cultures due to its diverse populations and mountainous location. The main division was between the farmers and townspeople of the valleys and the hilltribes of the uplands. The hilltribes themselves represent several very distinct ethnic stocks, so that a multitude of languages, customs,beliefs, architectures, diets, and styles of dress exist harmoniously side by side.
   Sukhothai kingdom
Sukhothai, some 480 kilometres north of Bangkok,was the capital of the first truly Thai kingdom. Its third king, the great Ramkhamhaeng, is credited
with devising the Thai alphabet from ancient
Mon and Khmer scripts. The kingdom is credited with producing the most sublime religious art and sculpture ever seen in Thailand, and
for manufacturing the most perfect pottery and Buddha images. Sukhothai also developed the concept of the Thai town - set four-square on the plain and protected by triple walls and intervening moats. This pattern was so successful in terms of defence (it allowed more wall forts) andflexibility to match the terrain that it wasnever abandoned.
 
   Ayutthaya kingdom
Ayutthaya's art and architecture was a delicate blend of Dvaravati, Khmer, Mon, Lawa and Khmer cultures. The city site at the heart of the riverine system of the lower Chao Phraya basin was carefully chosen to allow a moated trapezoid plan and a water-borne way of life. Ayutthaya's sister city, Lop Buri, was just a short distance north. It shared in the capital's splendour.
One of Thailand's greatest kings, Narai, built a palace there that can still be seen. It was these two glorious cities that Europeans first saw.
   This golden age of Thai culture also produced the exquisite architecture and decoration at Bang Pa-in, a royal summer palace on the majestic Chao Phraya River just south of the capital, as well as the elegance and grace of Thai classical dance and theatre. Unhappily, all these fabulous glories were sacked by a Burmese invasion in 1767. All that remains of 417 glorious years are the ruins you can see today. They are now a World Heritage site.
   Rattanakosin Island
Present-day Bangkok continues the cultural heritage of Ayutthaya with Rattanakosin island as its heart containing the Grand Palace, Pramane Ground,and many other public symbols. The island is surrounded by water, with the Chao Phraya River on one curved side and the Bang Lamphu and Ong Ang canals on the other. Among many other indications of the same intent, the art and architecture of temples and palaces initially followed Ayutthaya styles quite deliberately. The great literary works of
Ayutthaya, including the country's historical records, almost all of which had been destroyed, had to be recreated. The early Rattanakosin kings seized the opportunity to revise and updatethe country's legal system.
 

 
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